Eric Clapton The Road To Escondido Album Art

They say you can't go home again, but don't tell Eric Clapton. Quick on the heels of his vaunted Cream reunion/boomer wet dream, the English guitar legend teamed with influential Tulsa country-blues fixture J.J. Cale, writer of early Clapton solo hits "Cocaine" and "After Midnight," and a slate of then 'n' now all-stars (including some of the final performances by keyboard great Billy Preston) to reinvent the guitarist's laid-back '70s groove for a new era. The result is one of the most grounded and satisfying Clapton releases in many a year, a true musical collaboration with the guitarist's own longtime hero that coaxes their muses down familiar, if still refreshing, musical avenues.

The album's billing seems more than merely alphabetical: Cale pens 11 of the tunes, with Clapton contributing the gentle acoustic folk-pop of "Three Little Girls" and John Mayer offering up the slinky, jaded blues "Hard to Thrill," where fellow fret god Albert Lee adds his touch to Clapton's countrified revival. But it's the interplay between Cale and Clapton that carries the day throughout, from the signature sound of "Danger" and single "Ride the River" and the Deadhead-friendly vibes of the shuffling "Missing Person" and "When the War Is Over" to their deliciously languorous cover of "Sporting Life Blues." Clapton's playing is as lyrical as ever, yet channeled into a savory heartland mindset that's anything but clichéd. --Jerry McCulley